Montag, 14. Juni 2010

NEW SONG: LISTEN, LOVE, DOWNLOAD


Download this unreleased recording of Chicks On Speed, grab it here:::

http://www.thewire.co.uk/articles/4302/



Hear an as yet unreleased song, "Lovebites", performed by Nadine Jessen, Melissa Logan and Shaggy Sharoof produced by Dirty Disko Youth from Hamburg and Champy Kilo from Abidjan.

The collaborating artists on the song will be coming to Berlin and Hamburg in the autumn to perform at festival Rue Princesse, a project produced by Monika Gintersdorfer.

Berlin Haus der Kulturen der Welt, 2 - 4 September 2010; Hamburg Kampnagel, 7- 9 October 2010.

e-shoe guitar by chicks on speed

have a look here:

Chicks on Speed: Don’t Art, Fashion, Music 4 June – 8 August @ Dundee Contemporary Arts Opening

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Chicks on Speed and the e-shoe

Dear Shaded Viewers,

You are getting a look at the first wireless High heeled shoe guitar, made in collaboration with Siberian born shoe designer Max Kibardin and Hangar.org. The shoes will be unveiled alongside Chicks on Speed's collection of self made 'Objekt Instruments"- Cigar Box Synthesizers, super suits' with sewn-in body sensors that trigger audio/video samples, 2 hats made in collaboration with Christophe Coppins and Hangar.org, based on illuminated drawings of Hildegard von Bingen, a 12th century Christian mystic who received visions, composed ethereal airs, performed healing and even founded covents. The hats transmit the utterances of their wearers by way of microphones and speakers: the contemporary beatified woman can amass her own power tools, or so it seems.

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http://www.dca.org.uk/

http://www.chicksonspeed.com/

Montag, 24. Mai 2010

Chicks on Speed present: GIRL MONSTER 10: Coming out of the cage


10th girl monster in hamburg feat. LESBIANS ON ECSTASY, FAHIM AMIR, CORINNA KORTH, KROOT JUURAK AND DJANA COVIC, HOST: MELISSA LOGAN, BAR-TENDERS: ANDRASKI, ANNA, ADSDS, Music: ABIDJANINSKI, FOTOS: MARC ALEXANDER, Table-Dance: SEBASTIANO + SAMI, MASSAGE: SUPERSYL alias MICHELLE, TECHNIK: MÜGGE + HOLLY !!!!!!!!!

Montag, 15. März 2010

GIRL MONSTER # 9: genius inventor goddess

YIP YIP! Girl Monster # 9: GENIUS INVENTOR GODDESS:: Die Chicks on Speed kuratieren die feministisch-explosive Mischung aus Performance, Video, Theorie, Musik, Unterhaltung und Action! Diesmal gekrönt durch die Performance INTEGRATION: IMPOSSIBLE von Tanja Ostojic. Die serbische Künstlerin verursachte einen handfesten Kunstskandal mit einer Persiflage auf Courbets URSPRUNG DER WELT – ihrem Beitrag zur Werbung für die Österreichische EU-Präsidentschaft. Mit ihren kompromisslosen Arbeiten kommentiert sie das Machtgefälle zwischen Mann und Frau und zwischen der „alten“ und der „neuen“ EU.

Außerdem: Videoscreening, kuratiert von Margit Czenki, feministische Filmemacherin, Aktivistin und Künstlerin. Und: Den musikalischen Soundtrack liefert die Berliner Techno-Legende DJ Aroma mit MC Quio, die in ihren Live-Sets Techno-Sounds, House und live-Elemente zu einem unvorhersehbaren Ganzen vermischt.

ALLES DAS AM 20.3. / 20:30 h / Kampmagel / DON´T MISS!!!!!!

Über Tanja Ostojic: Tanja Ostojic

* 1972 in Jugoslawien; M.A. der Kunstakademie Belgrad, 1998, und der École Regionale des Beaux-Arts, Nantes (F). Ostojić ist eine Nomadin, die in Europa als unabhängige und interdisziplinäre Performance-Künstlerin lebt. Sie untersucht soziale Konfigurationen und Machtverhältnisse und setzt sich selbst als Figur in situationistischen Performances ein und nutzt als Medien Anzeigen, Videos, Fotos, Flyer, Poster, Internet, Installationen, Workshops und Bücher. Sie ist eine der GründerInnen der unabhängigen Künstlervereinigung Remont in Belgrad.

Freitag, 22. Januar 2010

sorry, a little history correction: Suffragettes invented performance art

look at this: for some f*** reason i cannot upload the video.
but if you go to you tube and search for SUFFRAGETTES INVENTED PERFORMANCE ART
you will find an excellent 4 min lecture by leslie hill.
do it, love it, spread it



TOP 10 OF PERFORMANCE-ART STEREO TYPES

BY LESLIE HILL

1. PERFORMANCE ARTISTS ARE PERPETUALLY NAKED

2. PERFORMANCE-PIECES ARE NECESSARILY FILLED WITH EFFLUVIA

3. PERFORMERS ARE EITHER GAY MEN, STRAIGHT WOMEN, LESBIANS, WOMEN OF COLOUR, MEN OF COLOUR, UNEMPLOYED NORTHERN-IRISH-SINGLE-PARENT-COAL-MINERS OR OTHERWISE OPPRESSED MINORITY

4. PERFORMANCE ARTISTS ARE EITHER SMART OR SMART ASSES

5. PERFORMANCE ARTISTS ARE SELF-INDULGENT

6. PERFORMANCE ART IS PROBABLY POLITICAL, EVEN IF NO ONE CAN UNDERSTAND IT

7. SOLO PERFORMANCE WORK IS USUALLY AUTOBIOGRAPHICAL (A LOGICAL PROGRESSION OF 3 + 5) AND IS FREQUENTLY SELF-WRITTEN, DIRECTED AND PERFORMED

8. PERFORMANCE-ART EVENTS WILL BE ADVERTISED USING ONE OR MORE OF THE FOLLOWING ADJECTIVES: ´CUTTING EDGE´, ´GROUND-BREAKING´, ´ICONOCLASTIC´, ´UNCOMPROMISING´, ´HARD HITTING´, ´CONTEMPORARY´ AND/OR ´IN YOUR FACE´

9. A WIG ON THE HEAD OF A PERFORMANCE ARTIST IS A PROP, NOT A COSTUME

10. WITHIN ANY GIVEN PERFORMANCE PIECE, MEANING WILL BE DECONSTRUCTED FASTER THAN IT IS CONSTRUCTED, THEREBY LEAVING THE AUDIENCE IN DEFICIT BY THE END OF THE PIECE