Uschi Geller Experience at Hotel Amazonas / Südtirol presents BOTANICAL VOGUING

ABOUT USCHI GELLER EXPERIENCE
Uschi Geller has many smiling faces sometimes. S/He works hard for the money and loves to trip around – day-tripper but also all night long. Since 2013 Uschi started to share their magic moments with the rest of the world. As USCHI GELLER EXPERIENCE the feel-good-collective is working with moods and altered states. By creating fictional social situations the members are guiding through spheres of consciousness, always tempting to take the audience on the same trip – contact highs and subtle stimulations included. The structure of the performances is based on rituals of different origins which are sampled and deconstructed. Wilhelm Reichs scientific research on orgone-energy and the psychedelic movement are sources / wishing wells for the scripts as well as shamanistic techniques, whitchcraft and other finer arts. Other important influences are geomancy and queer ecology (like ecosex-movement, dendrophilia…) to discover the vital/sexual-energy- side of botany.
With AVANTGARDENING Uschi Geller Experience created a non-community garden outside of Kampnagel Theater in Hamburg. It is formed like 2 dragons lying on the ground almost in a circle. The Avantgarden re-cultivates psychoactive legal local and international plants. For visitors the Avantgarden offers a comfort-zone for plant-meditation or botanical voguing to recharge your empathy-batteries. During the process of Avantgardening Uschi Geller also experienced the vital/sexual-energy of the space so it turned into a stage for hybrid flowers exhibiting themselves. This project is still growing. In 2017 Uschi Geller Experience will be able to produce selfmade, homegrown trips.
 

GUIDE TO TITTENTSUNAMI by dolce after ghana

another psycho-hack: MAYDAY-PAYDAY als teil der performance THE END OF FEMINISM - AS WE KNEW IT by DOLCE AFTER GHANA

UND HIER EIN WEITERER PSYCHO-HACK --- der text entstand zusammen mit djana covic, johannes maile und mir für die wiener EURO-MAYDAY am 1.5.2012 // im rahmen der intervention wurde der text als mundgeküßte flugblatt-aktion in der stadt verteilt -- tittitainment rulezzzz! Dolce After Ghana says: WAS MAYDAY? It´s PAYDAY PAYDAY!! It´s not Hisbollah, it´s Herbollah: Waffen strecken, Brüste recken! Mit Titten Banken knacken. Sparen heisst herrschen! Was die loser-hedgefonds-heuschrecken können, können wir schön lange! We do the Voodoo that you do: rückwärts mit Titten raus, auf a thousand Plateaus! Sorry, leider geiler: Kunst als Geldfressmaschine zum Bleistift. Why not- was soll der Geiz. Stop being abused by the "system". Start to use "system". Be a parasite. Kapitalismus, die alte Zecke is a vampire: es saugt aus & gibt gifts und damaged gods. The brutal beauty of the real. Killing with kindness. Killing me softly. The killer in me is the killer in you. Don´t let the money think. Let´s get physical. Tittical. Contitti & Content is possible! Stop falling into victimology. Fight gravity. Fighting with tears, macht die Augen diffus, genauso wie die "Wirklichkeit". Dabei kannst du manchmal nicht vermeiden bei einem roundhousekick mit allem, was du hast- dich selber auch zu treffen. Leider geil. Wo Titte schön ist "die" Jelinek, wenn Mann sie braucht? Übe die Kunst des Nachtretens, und auch die Kunst des Aushaltens, des Kommenlassens: Mental Wing-Tsun, use the force, don´t force it. Maybe you don´t remember: Oh shit. Letz kotz together. Here Jugo: einer, keiner, dreihunderttausend. Egal, wir sind die 99% und wir wollen alles! It´s the time of the DRAGon: und der Drache spuckt Feuer. By the way: Mindestlohn her, du Arschloch! We are all super heroines. Without superpowers. Egal. We fly without a carpet. We are mental mexican and maybe inner maori, too! Stop being a fashion victim. Become a fashion offender. Am Arsch - nur der Anus ist und bleibt demokratisch, wer hier ist, ist von hier und furchtlos wirds golden. Find your inner Kuscheltier. Saving privat softness. Parolen müssen so kurz sein, dass sie in eine hohle Hand passen: semiotische Mollis & raise TITTENSTUNAMI, not costs! We are lovers, not fighters. Blow up is better than bad paid blow job. High five in the dark. DOLCE AFTER GHANA says It´s The End Of Feminism (as we knew it). It´s the end of capitalism as we knew it. Let it be the end of spezisism, too! Exorcise, don´t exercise this shit. Riot, don´t diet. Wach auf, feel the alrightyness of the TIttans! The tits are all right. The tits are for you, for me, for everybody, the tits are for free. The tits are po-po-litical: Cicciolina style! Femen! Free pussy riot! Why not! Für das Bastartisieren aller Verhältnisse! Tittentsunami statt nächster Welle! Right now - over here! If the tits are united - it´s Tittenpower, big time. Dolce After Ghana auf facebook: "the end of feminism (as we knew it)

Lady Gaga on Feminism

THE END OF FEMINISM - as we knew it!!

DOLCE AFTER GHANA presents

THE END OF FEMINISM (as we knew it)

ACTION THINKING/ WRESTLING/ TITTITAINMENT/ KNOCK OUTS

The Theory & Wrestling - Performance THE END OF FEMINISM (as we knew it) by DOLCE AFTER GHANA is a mutal mutated pronunciamento for reciprocal stimulation and inspiration to rub and dub politics, entertainment, tits and theory. along the social fights we ask the same old feminist question again - first wave feminism, second wave, third wave: TITTITSUMANI!! We know: it´s THE END OF FEMINISM (as we knew it) - so we ride the wave and feed the horny pony! Vorsicht! Tittitainment rules! Sorry: leider geil!

We will deconstruct a wrestling show: WE ARE LOVERS NOT FIGHTERS!! No theory without practice! Exorcise, don´t exercise!

Create your own character, copy your tits and join!!

We know that you do the voodoo that we do: it´s TRANCEFORMATION TIME!! we are kissed by the bitchy muse and we kiss back! Free your idenTITTY!!

SHOWDOWN: 5th of may at DONAUFESTIVAL / KREMS

KICK-OFF / QUALIFIKATION / TRAINING / APPLICATION: 21st of april at WUK/Vienna

Definitly in da crowd: HEIDI HITLER, MISS TERRITORIAL PISS, MISS DRAGON FIST, der HALLO - WERNER - CLAN, BEATRIZZ DEPRECIADO, MARTINA ABRAMOBITCH, JUTIT BUTTLER and many many others...!!!!!!!

THE COMBAT ZONE IS ALREADY ADVANCED!

Waffen strecken: Brüste recken: Hardcore-Hirni vs Wonder-Vagina!

Pain is just a french word for bread! rules and bones: we break it all! yeah!

this will be THE END OF FEMINISM - as we knew it.

produced by DOLCE AFTER GHANA coproduction: donaufestival / krems //// WUK / vienna

voodoo chanel in brighton / grey area

CHICKS ON SPEED present: GIRL MONSTER # 12 "redefining the now!

it´s girl monster time again! yip!
this time it´s about "redefining the now"

feat.:

FUCK SAD SONGS AND SLOW JAMS, THIS IS GO CHIC

live directly from taiwan!



Go Chic has played with such notable acts as Peaches(CA), Vicarious Bliss(ED BANGER FR), Dandi Wind(CA), Shitdisco(DIM MAK UK), Death is Not My Aim(JP), etc.
Go Chic was invited to play at SXSW festival in Austin TX and Fuji Rock festival in Japan, 2010. Go Chic was nominated for "Best Pop Song", "Best Electro/Dance Song", "Most Mind-blowing Music Video" by AVIMA 2010(Asia Pacific VOICE Independent Music Video Awards). Won "Best Genre-Bending Act" and the "Tipped 2 Be The Next Big Thing" award by AVIMA 2010.

Biography:
Go Chic describes their music as “Electro-Hyphy-Chicks, Hybridized Punk-Blues-Rock” or “sound like Peaches, CSS, Le Tigre”. However, it is far too simple to depict them as merely an electro punk band after listening to their debut album- I am Confused. Such as my favorite track “2010”, puts together electro punk/electro-garage-rock elements that sound like the spark of when Soulwax meets Garbage. 8-Bit inspired tunes remind me of the 8-Bit Thrash craze led by Crystal Castles. Striding on the steps of Disco-Funk is “Dance With Her”, a perfect tribute to the Disco Punk spirit of DFA. Not to mention “We’re All Lovers & Runners”, where they have a sniff of 80’s New Wave, which is the “happiest” track in this album.
I am Confused, takes us through a delightful experience back in the 90’s indie scene, where vocalist Ariel raps like Princess Superstar and at the same time captivates us with a voice that wonderfully parodies Shirley Manson’s(Garbage). The amazing energy that comes out of every song reminds me of the “New Wave of New Wave” Elastica that emerged from the Pre-Britpop days and has every ability to rise as the leading Riot Girrrlz of today!!!
(By DJ Mykal 林哲儀)

LECTURE BY PIL AND GALIA KOLLECTIV
http://www.kollectiv.co.uk/

PERFORMANCE BY ALEX MURRAY-LESLIE AND ANAT BEN-DAVID

SPECIAL: VOODOO POP UP STORE

ART, MUSIC, FASHION, ACTION!

DON´T MISS: ALL THIS ON 28th JANUARY IN HAMBURG, KAMPNAGEL / 20:30 h
29th JANUARY IN DÜSSELDORF, FFT / 20:00 h

exorzise, don´t exerzise

preparation: countdown for GIRL MONSTER # 12: REDEFINING THE NOW

on 28th january at Kampnagel, Hamburg
on 29th january at FFT, Düsseldorf

TRANCEFORMATION OF VIOLENCE

A GUIDE TO VOODOO-PERFORMANCE

Watch out! You might get what you´re after. Watch your Step! There might be holes on the stage. abysses of jealousy and perfidy. the floor we are walking on is a fragile surface. It´s the seperator between good and bad, top or flop, in and out, dead or alive. Most white-middle-class-girls and boys don´t realize: bild, deaf and tomb concerning the dark side of performance, they´re maybe in the performance-zone- but never able to see the real performance. It´s Voodoo-time, baby! But not being aware of holes does not protect you from stepping into them- and that´s bad bad bad. another weak and pale performance-zombie. to show your performative strength, your PERFORMANCE POWER: first look intensly at the floor. Concentrate. Watch. AME ZANGBêTô! AME ZANGBêTô! AME ZANGBêTô! AME ZANGBêTô! AME ZANGBêTô! AME ZANGBêTô! Repeat this--- AME ZANGBêTô! AME ZANGBêTô! AME ZANGBêTô! AME ZANGBêTô! AME ZANGBêTô! AME ZANGBêTô! Now your eyes are open. you see one to five holes on stage. Some people in the audience are responsible for them. there are evil spirits. They wait for you to step into a hole- but you don´t. you see it, you are cat-eyed- - - you walk towards the hole - fleet-foaded, clever and with pleasure you avoid the trap - - - one after the other – each time you outwit your grudger, you donate a big SMILE to him/her. A BIG BIG BIG SMILE. You got the power. You are the performer. AME ZANGBêTô! AME ZANGBêTô! Like a crocodile in the sun you show your teeth. Your smile is a bite. Your smile is a slap right-in-the-face. You are AME ZANGBêTô! You call the spirits of the suffragettes who invented performance art, you are the sister of marina abramovic, you are an african vampirette, you are yoko onos brother. You are AME ZANGBêTô! Cursed and proud, stinky and loud! Tit-prints are part of art, your tits are art, your ass is art: prost! You already reached the next level, you are a top-drawer: COU-COU BANBA, you got your sacrifices prepared, COU COU BANBA, the rhythm starts. The beat is happening – right inside of me. COU COU BANBA. You need fellowship? You feel the energy emerging – you HAVE company! Uuuups- a hole again. SMILE. BIG SMILE. BIG BIG SMILE. Crocodile Dundee. YIP! You make a little jig. And another one. Just for the show. Just for you and me and everybody we know and we will never meet again. Just for this special moment which is already history. BAéROUé is now with you. The power of love, the power of destruction, it´s a blink, the heartbeat of a butterfly- it´s a bring-in, not a take-away. BAéROUé ASSIEOUSSIRE. You are vegetarian and asked the cameraman for help and he brought the chicken-bones from last night´s family dinner. You have your props prepared. You share your intoxicants with the audience. You are the master of ceremonies. You share the ticket to eye of the hurricane. Wodka is the lubricant. The audience becomes plushed- the rhythm becomes trance. The chicks start to dance themselves to death. Your edges begin to blurr. BAéROUé! BAéROUé! AME ZANGBêTô! AME ZANGBêTô! AME ZANGBêTô! AME ZANGBêTô! AME ZANGBêTô! AME ZANGBêTô! Anat is jerking, faustine is frothing, melissa is the house and alex is on the roof, merché is cross-eyed. WE FORGOT THE EGGS! WHERE ARE THE EGGS? WE HAD TO CRUSH THE EGGS ON OUR FOREHEADS. We take the eggs out of the hole- we mash them on our heads, the yolk tastes sweet. The necklace of chicken-bones dangles around our necks. We fetch the capes and are ready for the grande FINALE: COMIEN GOUGNON AYI COMIEN GOUGNON AYI COMIEN GOUGNON AYI COMIEN GOUGNON AYI COMIEN GOUGNON AYI COMIEN GOUGNON AYI COMIEN GOUGNON AYI COMIEN GOUGNON AYI COMIEN GOUGNON AYI COMIEN GOUGNON AYI COMIEN GOUGNON AYI COMIEN GOUGNON AYI COMIEN GOUGNON AYI COMIEN GOUGNON AYI

about voodoo and chanel: a voodoofesto

VOODOO CHANEL IS POST POST COLONIAL
VOODOO CHANEL TAKES AWAY THE FALSE PROMISE OF EQUALITY AND HUMANISM
THE VALUESYSTEM IS A LADDER TO POWER
BRANDS AND CONSUMERISM ARE STEPS ON THIS LADDER TO STEP UP TO A MORE POWERFUL POSITION
VOODOO CHANEL IS THIS LADDER

MODIFYING THE ACTUAL BRAND AND CHANGING THE BRAND CONTENT MAKES THIS LADDER LEAD TO A DIFFERENT DESTINATION
TO A DIFFERENT PLATEU THEN WHAT CHANEL HAS TO OFFER,
IT`S CHANGING THE MOUNTAIN YOU ARE CLIMBING UP
THE POWER OF THE BRAND IS SUVBVERSIVE BECAUSE IT IS ACTUALLY CHANGING THE VISION OF WHAT THE TOP IS - AND WHERE THE GOAL IS.
VOODOO CHANEL IS OPTIMIZING THE ORIGINAL BRAND BY CLIMBING THE SOCIAL UPGRADE WITH SELF-MADE STRATEGIES
VOODOO CHANEL ADAPTS FASTER THE HIPSTER STREET STYLES
VOODOO CHANEL : 180 % EMANCIPATION
VOODOO CHANEL IS FREEING YOU FINANCIALLY FROM THEIR PRICING SYSTEM
THE QUALITY IS YOUR RESPONSIBILITY
VOODOO CHANEL IS STEALING MARKET POWER THAT HAS BURNED MILLIONS OF DOLLARS TO CREATE
VOODOO CHANEL SMELLS OF ANARCHY
VOODOO CHANEL IS THE NEW STRATEGY OF SELF REPRESENTATION NOT BY A GIVEN BRAND; IT IS THE SYMBOLIC GESTURE OF RECLAIMING POWER
VOODOO CHANEL IS THERE FOR YOU IN TIMES OF ECONOMIC DEPRIVATION TO SOCIALLY AND POLTICALLY STEP UP.
VOODOO CHANEL IS FOR PEOPLE WHO ARE IN CONNECTION WITH THEIR OWN FATE
VOODOOC CHANEL SHOWS YOU THAT JUST PAYING FOR A BRAND AND WEARING IT LOOKS LIKE A SOCIAL FAILURE YOU´RE COVERING UP.
VOODOO CHANEL TAKING THE GLAM OF A BRAND AND THE MARKET POWER THAT ALREADY EXISTS AROUND IT ADDING THE PERSONAL AND SUBERSIVE ENERGY CONNECTED MORE TO THE ACTUAL PRODUCERS OF THE PRODUCT .
VOODOO CHANEL IS STEALING CHANEL FROM THE CORPORATE OFFICES IN PARIS, LONDON, NEW YORK.
VOODOO CHANEL - INTELLIGENT PEOPLE CAN FEEL GOOD ABOUT BUYING VOODOO CHANEL : YOU´RE NOT PART OF WHAT IS MAKING THE WORLD THE SAME EVERYWHERE

VOODOO CHANEL DID A BIG FAVOUR TO CHANEL BY ADDING LIFE TO THE DUSTY FLAVOUR OF DECADENCE.
VOODOO CHANEL IS NOT A COUNTERFIT, IT´S BENEFIT
VOODOO CHANEL DISCREDITS OTHER WAYS OF STEPPING UP THE LADDER OF IMPORTANCE AND POWER BY PAYING LOW PRiCES FOR THE COUNTERFIT MADE-IN-CHINA-LUIS-VUITTON-HERMÉ-BAGS, BECAUSE BY THIS YOU ARE SUPPORTING THE SYSTEM OF KEEPING THE POOR POOR AND THE RICH RICH.

VOODOO CHANEL IS A COLLECTIVE WORK, THE SHIPPING IS A JPEG.
FROM INTERNET CAFE TO OFFICES TO INTERNET CAFES, PEOPLE ARE JOINING THE GROWING NETWORK


VOODOO CHANEL SAYS: UPGRADE YOURSELF TO FIRST CLASS AND DONT FORGET THE MAGIC POWDER.

GIRL MONSTER # 10: COMING OUT OF THE CAGE

YIP: LEZZIES ON ECSTASY!!!! what a night, what a concert! LOVE!!!

GIRL MONSTER # 10: COMING OUT OF THE CAGE

Djana Covic combines hate-yoga with her own version of christina aguilera´s "beautiful". wow. more of that!

GIRL MONSTER # 10: COMING OUT OF THE CAGE

Kr66t Juurak and Corinna Korth performing YOUR NAME DROPS ARE SECOND HAND - A PERFORMANCE FOR URBAN FOXES. got it??

GIRL MONSTER # 10: COMING OUT OF THE CAGE

Fahim Amir gives lecture about urban animals. He´s a real discours-machine! no stopping!

GIRL MONSTER # 10: COMING OUT OF THE CAGE

CORINNA KORTH AND KR66T JUURAK WELCOME THE AUDIENCE FOR GIRL MONSTER # 10 at Kampnagel theater in hamburg

NEW SONG: LISTEN, LOVE, DOWNLOAD

Download this unreleased recording of Chicks On Speed, grab it here:::

http://www.thewire.co.uk/articles/4302/



Hear an as yet unreleased song, "Lovebites", performed by Nadine Jessen, Melissa Logan and Shaggy Sharoof produced by Dirty Disko Youth from Hamburg and Champy Kilo from Abidjan.

The collaborating artists on the song will be coming to Berlin and Hamburg in the autumn to perform at festival Rue Princesse, a project produced by Monika Gintersdorfer.

Berlin Haus der Kulturen der Welt, 2 - 4 September 2010; Hamburg Kampnagel, 7- 9 October 2010.

e-shoe guitar by chicks on speed

have a look here:

Chicks on Speed: Don’t Art, Fashion, Music 4 June – 8 August @ Dundee Contemporary Arts Opening

CoS_2932

Chicks on Speed and the e-shoe

Dear Shaded Viewers,

You are getting a look at the first wireless High heeled shoe guitar, made in collaboration with Siberian born shoe designer Max Kibardin and Hangar.org. The shoes will be unveiled alongside Chicks on Speed's collection of self made 'Objekt Instruments"- Cigar Box Synthesizers, super suits' with sewn-in body sensors that trigger audio/video samples, 2 hats made in collaboration with Christophe Coppins and Hangar.org, based on illuminated drawings of Hildegard von Bingen, a 12th century Christian mystic who received visions, composed ethereal airs, performed healing and even founded covents. The hats transmit the utterances of their wearers by way of microphones and speakers: the contemporary beatified woman can amass her own power tools, or so it seems.

CoS_12824
CoS_12831

http://www.dca.org.uk/

http://www.chicksonspeed.com/

Chicks on Speed present: GIRL MONSTER 10: Coming out of the cage

10th girl monster in hamburg feat. LESBIANS ON ECSTASY, FAHIM AMIR, CORINNA KORTH, KROOT JUURAK AND DJANA COVIC, HOST: MELISSA LOGAN, BAR-TENDERS: ANDRASKI, ANNA, ADSDS, Music: ABIDJANINSKI, FOTOS: MARC ALEXANDER, Table-Dance: SEBASTIANO + SAMI, MASSAGE: SUPERSYL alias MICHELLE, TECHNIK: MÜGGE + HOLLY !!!!!!!!!

GIRL MONSTER # 9: genius inventor goddess

YIP YIP! Girl Monster # 9: GENIUS INVENTOR GODDESS:: Die Chicks on Speed kuratieren die feministisch-explosive Mischung aus Performance, Video, Theorie, Musik, Unterhaltung und Action! Diesmal gekrönt durch die Performance INTEGRATION: IMPOSSIBLE von Tanja Ostojic. Die serbische Künstlerin verursachte einen handfesten Kunstskandal mit einer Persiflage auf Courbets URSPRUNG DER WELT – ihrem Beitrag zur Werbung für die Österreichische EU-Präsidentschaft. Mit ihren kompromisslosen Arbeiten kommentiert sie das Machtgefälle zwischen Mann und Frau und zwischen der „alten“ und der „neuen“ EU.

Außerdem: Videoscreening, kuratiert von Margit Czenki, feministische Filmemacherin, Aktivistin und Künstlerin. Und: Den musikalischen Soundtrack liefert die Berliner Techno-Legende DJ Aroma mit MC Quio, die in ihren Live-Sets Techno-Sounds, House und live-Elemente zu einem unvorhersehbaren Ganzen vermischt.

ALLES DAS AM 20.3. / 20:30 h / Kampmagel / DON´T MISS!!!!!!

Über Tanja Ostojic: Tanja Ostojic

* 1972 in Jugoslawien; M.A. der Kunstakademie Belgrad, 1998, und der École Regionale des Beaux-Arts, Nantes (F). Ostojić ist eine Nomadin, die in Europa als unabhängige und interdisziplinäre Performance-Künstlerin lebt. Sie untersucht soziale Konfigurationen und Machtverhältnisse und setzt sich selbst als Figur in situationistischen Performances ein und nutzt als Medien Anzeigen, Videos, Fotos, Flyer, Poster, Internet, Installationen, Workshops und Bücher. Sie ist eine der GründerInnen der unabhängigen Künstlervereinigung Remont in Belgrad.